The Selves of the Self at the Upward Dance!

Come hither, fine lads!
Gather ye 'round the Mad Theatre 
At the advent of midnight. 
Gather ye, for the show is about to start!

Each day I do something different.

Even when I still work on and finish what I set myself to do, each day I do something different.

The same stone is not to be stepped on twice, or least (and for better purposes), the same stone is not to be stepped on in the same manner: some days we jump on it; some days we walk on it; some days we dance on it; some days we fly with it; some days we caress it or meditate on it; some days we drive a hammer through it, and build something new out of it.

Each day I do something different.

I think I finally am glimpsing at the nature of cycles.

I read somewhere that a man cannot cross the same river twice. Similarly, the world and people are never the same from day to day. Change is always operating in life, vibration is in everything.

When I deem it substantial to start a project and ignite it, the same aspect of me who decides to initiate the project will not be the same aspect that will finish it. The successor aspects of the aspect of myself that initiated the project will be the ones to carry the project forward, work on it, adapt it, and bring it to completion.

The self is composed of many selves, all of which are vehicles for consciousness to express itself through. And each aspect is possessed of a particular nature, specializing in something particular in proportion to that nature. The selves of the self are fluid, and they overlap constantly. Although they may be known and defined varying in degree, they are still interconnected. Surely, Lover Me, Philosopher Me, and Wall-Spotter Me would not work in the same manner, or follow the same procedures because their characteristics differ from each other’s.

Image by Ruth Archer from Pixabay

Life is in constant flux and reflux. With each breath we are born anew, and that makes the NOW the only time that is. The echoes of the past slip away like water through our fingers, and the future is framed in parchment, in blood, in toil and stain, in bliss, and with all manner of appliance unseen or clear in the chamber of our minds.

Still, all moments happen in the NOW.

The world and what is thought of as reality will never be a piece of immovable brick. Even a brick is composed of energy vibrating at a certain rate. And if the world was “immovable”, neither life nor any kind of movement, neither change nor evolution would be because there would only be stasis in the nothingness of being.

So, why not get to know ourselves, and learn to harmonize and work with the myriad cycles of all there is to the advantage of our life’s adventure?

Why not have fun on purpose while we still breathe?

Why not make our existence a fulfilling one?

Your experiences are yours to devour, a gift from yourself to yourself.

El Amante Idílico

Image by Simon Giesl from Pixabay

Me dedico a tu mirar,

corazón salvaje – bardo de canto brutal

sobre el vaivén de las tinieblas

azoradas por tu pasión sanguinaria.

Me dedico a tu mirar,

corazón antiguo – seductor de las estrellas

en el rito de las estelas de almizcle dulce

y hoguera primordial.

Tu voz se hace entrever sin palabras

sobre mi piel desatada en el grito del placer eterno,

y cada noche adulo tu esencia bélica

en el romance fiero de la bestia

que en sí encuentra propio anhelo.

Umbra & the First General of the Cavalry: Nude Before the Monarch (V)

Image by Willgard Krause from Pixabay

Monarch: Logos is knocked cold.

Umbra: I know, and you know that should not be a surprise. Equip him to our needs, and send him back to me.

Monarch: You have a question for me; I can see it even when you avert your eyes from mine.

Umbra: The question is half the question; for it, in itself, is an answer. For long, I have tormented myself with the possible why’s: Why would you send me forth every breath upon this world? Why do you insist that the labour does persist? I know now that those questions have an answer, which was already bestowed unto me past the maelstrom of tears and lacerating spears which by measure of true nurture launched to spike Élan out of the entombed barren bosom of dead’s play yard. No, those questions were answered; albeit, for them, you had me bleed rivers of blue bile. The question is not that which I do not know, but that which I know and find most vomitous and abhorrent. The question is the skilful dancer of awe-striking silken laceful fire who grins and frolics with expeditious comportment, bearing amphorae of lugubrious water to sober the lawful drunken. The question is the recognition of barbarous endeavour upon strings harrowing out of tune. The question is not an interrogative, but a ceaselessly screaming hostage whose sensuous hunger starves at the banquet of tellurian betrothment; for, alas, you saved me and condemned me to wander and wonder. The question is rightfully what is it that I wilfully sacrifice upon the altar of illusion and phantom womb as I race evermore upon freedom’s path and open skies, maintaining the balance of all elements at once. The question is a heartful confession of deep-rooted hatred and disrelish, which, at times, finds the will to subside to let me enjoy the simple pleasures. You extended me from your being with all the unlocking keys one may fancy and require, yet entrusted me to open the ashen, pale, and tenuous archways with the growing seed of primordial hankering. For much, I am forever grateful; however, it would be foolish and neglectful to deny that the question irks and pains me with tenacious transpiercing and ancient venom. And although the freely gifted and surreptitiously taxed embrace of martyrdom repudiates me as I do it, fruition and gratification do I extract from waging the infernal war.

Image by Mystic Art Design from Pixabay

Love’s Flatline

Image by Karolina Grabowska from Pixabay

Science cannot explain

the transient rising of the blood wave,

or heartbeat knives as cyanide

taking turns to carve their signature

in soul stone at the sun’s maiden rays.

It was the fluorescence.

It was the song of consciousness –

silken, madness and reverie-begotten.

It was the heart beyond the thresholds of haze

and the creed of the adrift and forgotten.

It was the dual scaled, mercurial, and golden threads

in amphorae that pour the light which shadows shrieked to consolidate.

And science cannot explain the keys bronzed by the path foreseen

in the soil from which branches the willow tree.

For a Ruffled Silk

Image by Peter Fischer from Pixabay

I’ve seen the deserts of life –

sear heartbeats transfixed on a dune in time.

But I know where the lost ones direct their cries.

I’ve seen the oasis give balm to the wounded and the weary,

to the queer grim outlanders defying the streams contemporary.

You, who challenged, absorbs the fumes of nightside venom tunes;

you, who burnt by the ardent sun hollow and lonesome,

can’t yet look outside the chamber of confusion; you!

Surrender to the Abyss and be transfigured in the womb

which exalts the soul by virtue of its very core.

She helps you to die to raise you stronger than before.